Years reading rooms
Clubs played
Hours behind the decks
Monthly listeners
The next one is finished, mixed, and ready. Follow along so you don't miss it.
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Venezuelan-born, Barcelona-based. Two cities, one obsession: watching a room change the moment the right track drops.Venezuelan-born, Barcelona-based. Chasing the moment a room changes.
House and tech house became my language, not because they were trending, but because they leave space for a crowd to talk back.House and tech house are my language, chosen to leave room for the crowd.
A million streams. Studio sessions with producers like Tez Cadey. I don't just play sets, I build the tracks inside them.A million streams, studio work with Tez Cadey. I build the tracks I play.
Contact meCrafting stripped-back, hypnotic micro-grooves to set a sophisticated mood and keep the dance floor locked in.Stripped-back, hypnotic grooves that lock the floor in.
Driving percussive beats infused with catchy, rolling basslines to fuel the club vibe and elevate the energy.Percussive beats and rolling basslines that fuel the club.
Delivering heavy, distorted synth basslines that create an explosive, high-energy party experience.Heavy synth basslines for an explosive party.
Most DJs work with other people's music. I build mine in the studio first, then bring it to a real crowd to see if it holds up. A million streams and sessions with producers like Tez Cadey happened because I never stopped writing.I build my own tracks in the studio, then test them on a real crowd.
Hear what I built →No co-writers, no shortcuts. Just me and the studio. This is the track from the photo above, press play.
Questions, bookings, collabs. I read every message the same way I read a room.